Sunday Summary – Music: May 11, 2008

So not everything around here is perfect, and not everything that we do on Sunday morning is fantastic.

This past Sunday was one of those days.

Now worship was great, and one of our guys really lead me personally on a day that I did NOT feel like being at church.

But we did an parody song/rap as the opener which celebrated a certain demographic of volunteers that we’re gonna remember for a long time – and not necessarily in a good way.

And there are even mixed reactions among our own department. Some folks enjoyed it, while most felt quite the opposite. I think we may all, myself included, have turned a blind eye in the wake of our collective DRIVE recovery…

And that’s all I’m gonna say about that.

WORSHIP:

Happy Day

Blessed Be Your Name

Everlasting God

Now let me preface why I was not in a worshipping mood on Sunday. With the chaos of DRIVE and our regular Sunday stuff, I had been in this building for about 2,000 hours over the last 2 weeks, including playing a funeral of a friend and staff member on Friday. My kids barely recognized me when I saw them on Friday afternoon. Add to that my horrible May allergies, and that sums up the desperate need for some down time.

So, needless to say, the earlier 6:00 AM call time (due to no Wednesday rehearsal due to DRIVE) was a shock to the system.

You know what I’m talking about. I’m sure you’re been there. Maybe you’re there right now.

But I’ve been trying to find an appropriate piece of scripture to read over the guys and girls right before they go on stage. I’m also trying to continually remind them that the reason we rehearse so much is that so that playing the actual music becomes second nature, deep in their subconscious. That way our focus during the live worship set can be just that – worship. A purposeful choice they make to enter into worship to our Saviour – and not heads down in charts.

From chart to heart. Learn the music so it’s INSIDE your heart come Sunday morning. Only then will you as a Worship Leader or band member be free to worship and focus on Christ during the service – and be an example of a worshipper to the audience, thus leading them in worship.

But it all starts with a CHOICE to worship.

Ha! Looking back, the irony of the lyric of one of our worship tunes:

My heart will choose to say
Lord, blessed be Your name

Anyhoo – the verse I shared probably ended up being more for me, even though I was trying to tie it in with another one of that days songs…

Isaiah 40…

25 “To whom will you compare me?
Or who is my equal?” says the Holy One.

26 Lift your eyes and look to the heavens:
Who created all these?
He who brings out the starry host one by one,
and calls them each by name.
Because of his great power and mighty strength,
not one of them is missing.

27 Why do you say, O Jacob,
and complain, O Israel,
“My way is hidden from the LORD;
my cause is disregarded by my God”?

28 Do you not know?
Have you not heard?
The LORD is the everlasting God,
the Creator of the ends of the earth.
He will not grow tired or weary,
and his understanding no one can fathom.

29 He gives strength to the weary
and increases the power of the weak.

30 Even youths grow tired and weary,
and young men stumble and fall;

31 but those who hope in the LORD
will renew their strength.
They will soar on wings like eagles;
they will run and not grow weary,
they will walk and not be faint.

So there you go. I’m glad He’s strong, ’cause I am still some tired!

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East Band – Danny Dukes, Brad Long, Danny Grady, Earl South, Scott Meeder, Chrystina Fincher, Jared Hamilton

West Band – Eddie Kirkland, Mike Hines, Daryl Lecroy, Ashley Appling, Brad Gage, Trammell Starks, Rachel Gillis




What lead YOU to worship this week?



3rd Most Popular FAQ – Amplifier Isolation Boxes

In a continuation of DRIVE 08 recap (or decompression…), I’m going to attempt to give some detailed answers to the – by far – 3 most popular series of questions I received at DRIVE during our breakouts, Q&A’s and Round Table discussions.

So here’s a stab at the 3rd most popular:

“What do you do about guitarists and their amplifiers?”

Well – there’s 2 answers to that question.

The first is the POD X3 Live. You’ve heard me rave about this thing before, and – in the right hands – it IS amazing. I must emphasize, however, that using any previous POD product is not the same as the X3 Live. The older stuff is not as good. The X3 Live, however, has a TON more features, more horsepower, and 2 distinct processors which allow the ability to LAYER sounds. Like a Vox AC30 and a Fender Bassman – together!

I’m gonna have some of the X3 Live “converts” write some articles about their experience…

Second, for those using an amplifier (combo amp or head and cabinet), we built really nice ISOLATION BOXES (common terminology is “Iso Box“).

They’re off stage, yet still conveniently accessed.

They’re quite sound absorbent (nothing is truly sound proof) using heavy duty sonic paneling and acoustic foam.

They’re sturdy, being constructed out of Medium Density Fiberboard (MDF).

They’re ventilated using a small electric fan (VERY important!!), blowing the hot air OUT.

They’re wired for microphones OUT, guitar signal IN, and power.

They’re lit with a small light.

They’re less than 4′ cubed.

***IMPORANT*** They use 2 important signal Transmit and Receive boxes that allow the signal to travel long distances of cable without losing integrity.

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The guitarist takes the signal coming out of his on-stage pedal board or amp head, and plugs it into the TRANSMIT box. It’s converted to an XLR connection, allowing it to be connected into any snake or floor box (as is common in many churches and stages).

That signal is then routed to the ISO BOX, either directly or through a patch bay (common in bigger sound systems). Inside the ISO BOX, the XLR signal is then converted back to a 1/4″ connection via the RECEIVE box, which is then plugged into the guitarist’s cabinet or combo amp.

Also, they’ve got a cool “Drag Control” feature:

To ensure the natural tone of the instrument is transferred correctly, our unique Drag Controlâ„¢ load correction circuit is provided that allows the guitarist to introduce a load on the pickup to emulate the direct connection of his guitar to the amplifier.”

Here’s Dave Stagl, our Audio Director, explaining one of our Iso Boxes….

There you go!


Don’t forget the FAN!!!

BIG news for Guitarists…

Man, if you are a guitarist, or know one, this is REVOLUTIONARY. Time will tell, but this may be the biggest, most significant leap in guitar technology, in both recording and live performance environments. This is big – really big.

Most guitarists, both electric and acoustic – and even bass – are tone freaks. Constantly searching for the elusive “perfect tone“. I’m pretty sure that it is protected by Bigfoot at the end of the rainbow – you know the place. Half way between Narnia and the LOST island…

Well, the biggest, and honestly most shocking news to come out of North Point musician land is that now 5 of our biggest tone freaks – Todd Fields, Steve Thomason, Danny Grady, Jason Hoard , and soon-to-be Matt Adkins – have bailed on their precious amplifiers and cabinets. Yep – left them at home. They might not see the light of day again.

And I’m talking Marshalls, Bogners, Goodsells, Vox AC30s, Bad Cats, Suhrs – the list goes on…

What has replaced all of those and become (and I quote) “the most inspiring tones I’ve ever had or played“?

The Line 6 X3 Live .


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OK, this thing is amazing. And I’m not even a guitarist, and I know it’s amazing. And not because of the killer tones I’m hearing the guys get from it, but from how it lights up their faces! Like kids in a candy store. And these are some of the most incredible guitarists I’ve ever known!

First, it’s not like any other Line 6 product you’ve ever heard, because they’ve doubled the processing power. And that’s big news. I mean imagine going from a 25″ TV to a 50″ Plasma. Yeah – that significant!

You can also have two independent rigs going at the same time to create the biggest, fattest sounds imaginable. I played with Danny Grady using an X3 Live at Inside Out a couple weeks ago. He was the only electric, but it sounded like there were an army of other guitars perfectly doubling everything he played. Absolutely HUGE! We kept looking at each other in awe… and then giggling like little kids. Blew us away.

OK – I’m not to bore you with all the juicy details as to what this puppy can do. But I will say that in the right hands, this thing is a monster. For another North Point audio-based opinion, check Dave Stagl’s post about the X3.

It’s cool to see the guys (who I trust!!!) loading in with a guitar case in one hand, and a small canvas bag in the other, containing 3 things: 1/4′ cable, X3 Live, and it’s power cable. No heavy amps, no giant cabs, no crazy pedal boards. No back ache, no blown tubes.

And big smiles!

3 out of the 4 guitarists this past Sunday (we have 2 stages, 2 guys per side) were using an X3 Live, and from Front Of House, the X3′s actually sounded bigger and fuller. Not to mention easier to mic (2 balanced XLR outs) and 100 lbs lighter ;)

What gear has inspired YOU lately?